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In this episode Ben and Nate talk with Eli Fieldsteel about SuperCollider, using Wii-motes, tablets, and gloves as instruments, YouTube tutorials, and creating balanced pieces. Plus news and updates, and Ben attempts to explain human/computer interaction.
- In this episode Ben and Nate talk with Eli Fieldsteel about SuperCollider, using Wii-motes, tablets, and gloves as instruments, Eli’s YouTube tutorials, and creating balanced pieces:
- With Oui (2015)
- Genetic Anomalies (2014) – YouTube – two dancers, four concealed wiimotes, quadraphonic live electronic sound and video
- Invisible Ink (2017) – eight-channel live electronics for Wacom tablet and SuperCollider
- Brain Candy (2015) – four-channel live electronics for Arduino sensor gloves and SuperCollider
- Singularity (2014) – wind ensemble and live electronics (3 movements) – UNC Chapel Hill Wind Ensemble, Evan Feldman conducting (premiere)
- In the news, Zoom has announced their new LiveTrak L-12, a mixer/headphone monitor/class-compliant multichannel interface/standalone recorder, available in September for $600.
- FL Studio 12.5 is out.
- There’s a really interesting video circulating of the upcoming Behringer D (available in Septmeber for $300) being compared to a MiniMoog Model D (no longer available and WAY more expensive).
- In this month’s 2 minute challenge, Ben attempts to explain human/computer interaction.
Posted in Patch In, podcast
Tagged Arduino, coding, controllers, dance, Eli Fieldsteel, gestures, interaction, sensors, Supercollider, Wii, YouTube
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In this episode Ben and Nate talk with Reiner Krämer about algorithmic composition, neural networks, computational analysis of Medieval music, and the awesomeness of Roland re-issue synths. Plus, big news for Reason, and a Subotnick documentary.
- In the news, there’s an Indiegogo campaign to fund Subotnick: Portrait of an Electronic Music Pioneer, Reason now includes VST support in Version 9.5, and in Moog land, there are the soon to be commercially available Subsequent 37 and the Drummer from another Mother.
- We talk with with Reiner Krämer about algorithmic composition, neural networks, computational analysis of Medieval music, and the awesomeness of Roland re-issue synths, as well as several of his pieces!
- This month’s 2mc is on algorithmic composition.
In this episode, Ben and Nate talk with composer and installation artist Jason Charney about creating site specific works, generative audio processes, and amplifying the Amish. Plus news and updates, and Ben attempts to explain wavetable synthesis.
*In this episode, Ben and Nate talk with composer and installation artist Jason Charney about creating site specific works, generative audio processes, and amplifying the Amish.
* We talk about some of Jason’s work: feedback bowls, In Futurum, root system, and The Hypno-Domme Speaks and Speaks and Speaks
* Ben attempts to explain wavetable synthesis for the 2MC.
* plus other fun things, like:
* Chladni patterns
* Jacob Kirkegaard’s 4 ROOMS
* Harry Bertoia
* The Engine Room
* Adventure Kid
In this episode, Ben Whiting and Melody Chua stop by to discuss the sensor-augmented Chaosflöte, unobtrusive and ergonomic instrument design, and composing for an augmented instrument. Plus, live-coding, news and updates, and the two minute challenge.
- In this episode, Ben Whiting and Melody Chua stop by to discuss the sensor-augmented Chaosflöte, unobtrusive and ergonomic instrument design, and composing for an augmented instrument.
- We talk about some of their pieces, HCaos Ver. 2 and Melodía sin melodía
- Also, Nuendo 8 has just been announced, Antelope has upgraded their Zen Studio to the Zen Studio+, and Max/MSP guru Manuel Poletti has released the AudioMix package.
In this episode, Max Tfirn stops by to talk about turning images into sound, electromagnetic mics, ambient noise jams, and carting all the gear to gigs. Plus news from NAMM, and Ben explains bitcrushing.
- In this episode, Max Tfirn stops by to talk about turning images into sound, electromagnetic mics, ambient noise jams, and carting all the gear to gigs.
- We discuss his pieces Invisible Signals, Establish Corrupt Broken, and Through Noise Comes Being.
- Antelope Audio has created their first ProTools HD compatible interface, the Orion 32HD!
- Behringer’s DeepMind synth is now shipping.
- UVI has just upgraded their World Traditions library to World Suite.
- Ben explains bitcrushing for this month’s 2 minute challenge.
Posted in Patch In, podcast
Tagged bitcrushing, electromagnetic mics, guitar pedals, live performance, Max Tfirn, NAMM, neural network, noise, sonification, spectral scoring, Supercollider, synths
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