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In this episode we interview Bones composer Julia Newmann, talk in-depth about Michael Giacchino’s score to Dawn of Planet of the Apes, talk about what else we’ve been listening to lately, and look at which composers are being honored in Europe.
- Variety interviews “Fargo” composer, Jeff Russo.
- Alexandre Desplat to head jury at Venice Film Festival.
- Hans Zimmer will be honored at the Zurich Film Festival, which includes a film music competition.
- Listen to Dawn of the Planet of the Apes; read the silly DOTPOTA track titles.
- John Williams, Gustavo Dudamel, and Gustavo Santaolalla discussed film scoring at the LA Museum of Art on July 21.
- Rumor: Christopher Young to score Doctor Strange.
- Bill has been listening to DOTPOTA (Michael Giacchino), Game of Thrones Season 4 (Ramin Djawadi), Night Crossing (J Goldsmith), and Deep Rising (J Goldsmith).
- Kevin has been listening to Chef (Various), Edge of Tomorrow (Christoph Beck), Jersey Boys, DOTPOTA (Giacchino).
- Bill and Kevin discuss Michael Giacchino’s score to Dawn of Planet of the Apes.
- Julia Newmann interview (Bones composer, seasons 1-9)
In this episode we look at lots of John Powell news, Kevin talks about his trip to Los Angeles, upcoming summer scores, new CD releases, and what we’ve been listening to lately.
- John Powell to take a sabbatical from film music to focus on concert music
- Two reviews: How to Train Your Dragon 2 and Score! (TV music concert)
- A concert of the National Brass Ensemble, featuring a world premiere by John Williams (Music for Brass) with an all-star cast of brass players
- David Arnold is doing a David Arnold: A Life In Song concert in London (July 9)
- Bill’s been listening to Edge of Tomorrow (Christophe Beck), X-Men: DOFP (Ottman), Clone Wars (K Kiner), and Kevin’s been listening to The Amazing Spider-man 2 (Zimmer+), X-Men: DOFP (Ottman)
- New CD Releases: The Stone Cutters (E Goldenthal), How to Train Your Dragon 2 (6/17) (J Powell), Night Crossing, Deep Rising (both J Goldsmith), The Peacemaker 2CD (H Zimmer), Altered States (J Corigliano), D.A.R.Y.L. (M Hamlisch), Son of Batman (F Wiedmann)
- Kevin went on a trip to L.A. and Bill asks him about it
- Future summer scores we’re looking forward to:
- Dawn of the Planet of the Apes (Giacchino)
- Guardians of the Galaxy
- Kingsman: The Secret Service (Henry Jackman and Matthew Margeson)
In this episode, we interview John Ottman, composer of the film X-Men: Days of Future Past, discuss what we’ve been listening to this week, look at headlines of film music concerts, new scoring assignments, and cool videos.
- The two new Star Trek films will be going on a concert tour.
- The Pacific Symphony will play a concert consisting of concert works of film composers.
- Mychael Danna receives Richard Kirk Award.
- Michael Giacchino will score Jurassic World.
- Michael Giacchino denies Star Wars rumors.
- Cool short video about Desplat’s score to Godzilla.
- A cool short about Kevin Kiner’s music for the new show Star Wars: Rebels
- Bill’s been listening to Dennis the Menace (J Goldsmith), The Amazing Spider-Man 2 (H Zimmer), Meteor Man (Cliff Eidelmann), and Star Wars: The Clone Wars (K Kiner)
- Kevin’s been listening to Star Wars: The Clone Wars (Kevin Kiner), Godzilla (Desplat), Hannibal (Brian Reitzell)
- Interview with John Ottman
In this episode we look at headlines with Alan Silvestri and Hans Zimmer, talk about concerts featuring film music, share what we’ve listening to lately, and interview Jeff Beal. Oh, and Kevin has a shameless plug.
- Alan Silvestri scores the new tv series Cosmos.
- Alan Silvestri will not score Avengers sequel The Avengers: Age of Ultron. (Brian Tyler will instead.)
- Howard Shore to have three world premieres in Ireland.
- Preview of Mansell’s score to Noah and Mica Levi’s score to Under the Skin.
- Hans Zimmer knew nothing of the plot to Interstellar when he composed the score.
- The New York Phil will play an all-Pixar concert under David Newman. May 1-3.
- Detroit Symphony Orchestra is planning fun and games for people camping out for Williams/Spielberg tickets.
- Bill has been listening to Django Unchained (Ennio Morricone, various), Captain America 2: The Winter Soldier (Henry Jackman), Flesh + Blood (Basil Poledouris), The Meteor Man (Cliff Eidelman), Sherlock: Series 3 (Arnold & Price).
- Kevin has been listening to Cosmos (Alan Silvestri), Tim’s Vermeer (Conrad Pope), The Grand Budapest Hotel (Alexandre Desplat), Captain America 2: The Winter Soldier (Henry Jackman).
- New soundtrack releases: Young Sherlock 2CD, Psycho II (Jerry Goldsmith), Jade (James Horner).
- We interview Jeff Beal. We specifically discussed his work on House of Cards and Blackfish. The soundtrack album of House of Cards Season 1 is currently available. Season 2 comes out May 19.
- Shameless plug for Kevin: Movie Night with Helix Collective. Performance 5/3/14 6pm. Silverlake Lounge, Los Angeles.
In this episode we look at the winners of the 2014 Oscars, talk about recent listens, discuss a recent post by composer Scott Glasgow, look at news involving Morricone and Williams, and mention new releases.
- ATAS to sponsor a concert featuring music from Downton Abbey, Game of Thrones, House of Cards, and others. Will also present Mark Snow a lifetime achievement award.
- For the first time ever, an Oscar Concert
- Ennio Morricone to conduct concerts in NY and LA this month.
- ABC News tribute to John Williams “When Music is the Starring Role . . .”
- Bill has been listening to Sherlock Series 3 (music by David Arnold, Michael Price), while Kevin has been listening to Tim’s Vermeer (music by Conrad Pope)
- New Releases: Peabody & Sherman (D Elfman), Roswell/Communion (Goldenthal/Eric Clapton), The Blue Max 2CD (J Goldsmith), Sherlock Series 3 (Arnold/Price), The Matrix Revolutions 2CD (D Davis), Good Will Hunting (D Elfman), Star Trek: TNG – Encounter at Farpoint/Arsenal of Freedom (D McCarthy)
- The 2014 Oscar winners are: Steven Price (score – Gravity) and “Let it Go” (song – Frozen – by Robert and Kristen Anderson-Lopez)
- Scott Glasgow put out the question (paraphrasing) why do composers, given the chance to do a big budget epic, just use clichés and sound like Hans Zimmer? (in response to a critique by James Southall regarding the new Hercules movie directed by Renny Harlin with score composed by Tuomas Kantelinen)