Tag Archives: Detroit Symphony Orchestra

Streamers and Punches 55: Awesome Sandwich

In this episode we look at the winners of the 2014 Oscars, talk about recent listens, discuss a recent post by composer Scott Glasgow, look at news involving Morricone and Williams, and mention new releases.
This week’s panel:
This week’s topics include:
  • ATAS to sponsor a concert featuring music from Downton Abbey, Game of Thrones, House of Cards, and others. Will also present Mark Snow a lifetime achievement award.
  • For the first time ever, an Oscar Concert
  • Ennio Morricone to conduct concerts in NY and LA this month.
  • ABC News tribute to John Williams “When Music is the Starring Role . . .”
  • Bill has been listening to Sherlock Series 3 (music by David Arnold, Michael Price), while Kevin has been listening to Tim’s Vermeer (music by Conrad Pope)
  • New Releases: Peabody & Sherman (D Elfman), Roswell/Communion (Goldenthal/Eric Clapton), The Blue Max 2CD (J Goldsmith), Sherlock Series 3 (Arnold/Price), The Matrix Revolutions 2CD (D Davis), Good Will Hunting (D Elfman), Star Trek: TNG – Encounter at Farpoint/Arsenal of Freedom (D McCarthy)
  • The 2014 Oscar winners are: Steven Price (score – Gravity) and “Let it Go” (song – Frozen – by Robert and Kristen Anderson-Lopez)
  • Scott Glasgow put out the question (paraphrasing) why do composers, given the chance to do a big budget epic, just use clichés and sound like Hans Zimmer? (in response to a critique by James Southall regarding the new Hercules movie directed by Renny Harlin with score composed by Tuomas Kantelinen)
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SoundNotion 69: Last Dance

This week, the panel discusses Kid Rock and the DSO, the idea of open notation, opera budgets, a couple recent deaths, fraudulent Strads, and much more!


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SoundNotion 58: Old York vs. New York

London based performer and composer Kerry Andrew joins the panel to discuss the weeks music news and how to get more women composing. We find the answer painfully obvious.


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This week’s panel:
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