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Tag Archives: Gustavo Dudamel
In this episode we look at the scores to The Amazing Spider-Man and Brave. Bill’s listened to Corigliano’s Music From the Edge, also Schweiger’s Doyle interview, TDKR sampler, Dudamel’s new gig, and an op-ed on six painful scores.
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- NPR has an article about how music scares us: “Putting Fear in Your Ears.”
- Gustavo Dudamel to score biopic “Liberator.”
- Opinion article listing The Six Most Painful Film Scores of All Time.
- Daniel Schweiger interviews Patrick Doyle regarding his Brave score.
- Listen to 14 minutes of Zimmer’s score to The Dark Knight Rises.
- Bill mentions Corigliano’s rejected score to The Edge of Darkness.
Judd Greenstein joins the panel to talk about the Ecstatic Music Festival, the mission of New Amsterdam Records, taking instruments on airplanes, tuba theft, and much more!
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
If you enjoy the show, please subscribe on iTunes or your favorite podcast service using the links to the right.
- Guest panelist Judd Greenstein joins the panel, tubas get stolen, and we demand Change.
- The Kaufman Center gets Ecstatic (this one involves Judd also).
- We hear what’s going on at New Amsterdam Records (er – also Judd).
- Finally – Your Sousaphone is clear for takeoff.
- UNESCO continues its reign of terror on Cantonese Opera.
- Chris Lee thinks he’s found the savior of classical music in Gustavo Dudamel. In a related story, the definition of hyperbole can be found here.
- Change by Judd Greenstein, perf. Now Ensemble – iTunes – Amazon MP3
